A1 Laurel Halo - Public Art ** EXCLUSIVE
A2 Parris - Puro Rosaceae
A3 Rrose - Cricoid Pressure ** EXCLUSIVE
B1 Machinewoman - Just Made Some Jazz Music ** EXCLUSIVE
B2 FIT Siegel - Pennyrut ** EXCLUSIVE
B3 Siete Catorce - Canto
C1 Ikonika - Bodied ** EXCLUSIVE
C2 Panda Lassow - Lachowa
C3 Nick León - Pelican Dub ** EXCLUSIVE
D1 Stefan Ringer - Lust
D2 Laurel Halo - Sweetie (DJ-Kicks) ** EXCLUSIVE
D3 Group A - Ketabali
DIGITAL DOWNLOAD
1 Laurel Halo - Public Art 1:09
2 Stallone The Reducer - Always Hate 2:21
3 Red Axes Feat. C.A.R. - 5 Min 2:10
4 Parris - Puro Rosaceases 2:08
5 Rrose - Cricoid Pressure 2:49
6 Machine Woman - Just Made Some Jazz Music 3:00
7 WCC - Ana 2:04
8 IT Siegel - Pennyrut 1:40
9 Yamaoka - Plastic PQ 2:35
10 Siete Catorce - Canto 1:21
11 Facta - Poliwhirl 1:24
12 Laurel Halo & Hodge - The Light Within You 2:44
13 Ikonika - Bodied (OG Mix) 2:13
14 Griffit Vigo - A.C.I.D. (Electronic Gqom Mix) 0:43
15 Panda Lassow - Lachowa 2:03
16 Dario Zenker - Koraimer Bro 2:20
17 Final Cut - Temptation 3:11
18 Aos - Violent Light 2:15
19 Geoffrey Landers - Brian's Having A Party 1:03
20 Via Maris - Side Effects 2:36
21 Laurel Halo - Oneiroi 1:57
22 Nick León - Pelican Dub 1:40
23 Stefan Ringer - Lust 2:16
24 Kirk - The Flirt Loser 1:08
25 Laurel Halo - Sweetie (DJ-Kicks) 3:31
26 Blake Baxter - Funky World (Blake Baxter Remix) 2:37
27 Kiki Kudo - Freakey Ke Ke 1:11
28 group A - Ketabali 2:50
29 The Whitefield Brothers - Ntu 1:39
+ DIGITAL DOWNLOAD
OPAKOWANIE: GATEFOLD
The *68th *edition of the *DJ-Kicks* mix series is another landmark one,with experimental producer *Laurel Halo* taking the reins. The American’s adventurous 28 track trip features seven exclusives, including two of her own plus those from *Rrose, Machinewoman, FIT Siegel, Nick León and Ikonika*.
An electronic outlier, Halo hails from Ann Arbor, Michigan, but has been based in Berlin for a number of years. Landing on labels like Hyperdub, Honest Jon’s and Latency, Halo has released a body of work ranging in style, yet cohered by production and compositional tendencies that sound distinctly her own. Her studio work tends to be a multi-layered mix of the electronic and the acoustic, the organic and the synthetic. As a DJ, meanwhile, she lays down more floor-focussed mixes of techno, bass and worldly drum rhythms, and her live sets are similarly visceral and direct.
Halo’s DJ-kicks packs a lot in to just 60 minutes. It kicks off with the first of two of her own exclusives, ‘Public Art’, a tactile piano loop that sets the melodic tone of the mix in focus. Crunchy drums soon take over and begin what is a blistering ride through electro, trippy minimalism and textures that range from icy and dubby to steel plated and sharp from the likes of Red Axes, Parris and an exclusive from Rrose.
Another exclusive, rough and ready cut from Machinewoman follows, before the mid section twists and turns on surging drum patterns, frantic industrial textures and spaced out gqom sounds from the likes of Griffit Vigo, Dario Zenker and Final Cut. This is a mix forever on the move: one minute its tightly coiled and kinetic, the next it’s loose and joyful before switching into more cerebral and insular passages that keep you intrigued.
Fusing together so many disparate sounds and textures is no mean feat, but like everything Halo does, here they all add up to something as thrilling and edgy as it is unpredictable and compelling.